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Author Archive

New Release: White Death

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January 12, 1888

When a day dawns warm and mild in the middle of a long cold winter, it’s greeted as a blessing, a reprieve. A chance for those who’ve been cooped up indoors to get out, do chores, run errands, send the children to school… little knowing that they’re only seeing the calm before the storm.

The blizzard hits out of nowhere, screaming across the Great Plains like a runaway train. It brings slicing winds, blinding snow, plummeting temperatures. Livestock will be found frozen in the fields, their heads encased in blocks of ice formed from their own steaming breath. Frostbite and hypothermia wait for anyone caught without shelter.

For the hardy settlers of Far Enough, in the Montana Territory, it’s about to get worse. Something else has arrived with the blizzard. Something sleek and savage and hungry. Wild animal or vengeful spirit from native legend, it blends into the snow and bites with sharper teeth than the wind.

It is called the wanageeska. It is the White Death

Get it here


Interactive Book Trailer for POLYMER

Caleb Wilson’s Polymer is making waves with a new book trailer! And not just any book trailer, an INTERACTIVE book trailer.

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Head over to POLYMERVANIA to get started! And purchase Polymer HERE


Podcastlandia!

Get a dose of weird with recent episodes of some of our favorite podcasts and vlogs, including…

JOHN WAYNE LIED TO YOU: Episode 40 – The Day I Used Up All My White Privilege

jwliedtoyou

and

REVIEW ME PLEASE: S02 E02A Ayalew Mesfin – Hasabe (My Worries) Unboxing

 

 


Eraserhead Press & Deadite Press are OPEN TO SUBMISSIONS!

ERASERHEAD PRESS IS OPEN CALL FOR SUBMISSIONS: April 1- June 30, 2018
All submissions received by the end of June will receive a response by July 31, 2018.

What we are looking for:

  • Eraserhead Press is seeking original novellas and novels of 20,000 to 100,000 words in length that fit into the Bizarro Fiction category.
  • We want surprising, unique, well-crafted weird stories with compelling plots, eccentric characters, and never-before-seen concepts.
  • We want a balance of both plot and character – we love weird characters with weird problems in weird places. We are looking for exciting concepts that make people say “I have to read that!” and well-developed characters they can fall in love with along the way.
  • We’re most drawn to darkly absurd tales that are addictive to read and contain a strong emotional core. We love fiction that is both heart-rending and fun. While it may or may not be funny, we are interested in more than just a joke. If you can make us both laugh and cry or creep us out and draw us in, we will love your book.
  • We are looking for entertaining and accessible stories that speak to a specific audience. Will your book appeal to vegan punks? Riot grrls? Overworked airline pilots? Cos-players? Fans of 80s New Wave?  If you’ve identified the audience for your work, please tell us in your book description.
  • Multiple submissions are okay – during our open submission period we are open to reading as many manuscripts as you feel would meet our criteria but we are only interested in your best work. Bring it on!
  • We have high standards – we have been the leading publisher of Bizarro Fiction since 1999 and have worked with everyone from brand new authors to established heavy hitters. We have gained a cult following for our high-quality boundary-pushing weird fiction and are looking for books that will top everything else we’ve ever published. The best way to understand what we are looking for is to familiarize yourself with our catalog. If you feel you’ve written something completely unique that stands apart from everything being published today, then we want to see it!

What we are not looking for:

  • No simultaneous submissions – During the time that we are open for submissions we prefer that you do not simultaneously submit your manuscript elsewhere.
  • We are not accepting short story collections, poetry, non-fiction or comics at this time
  • No experimental formatting – while we appreciate visual poetry, epistolary novels, and playful formatting, we are currently only interested in publishing conventional formats.
  • No reprints – We want to bring our readers fresh new stories that they can’t find anywhere else. If your book has previously been published by another publisher or has been self-published, we will still consider it, but your chance of the book being accepted for publication by Eraserhead Press is less likely than submissions that have not previously appeared in print.

How to submit

  • Email your submission to eraserheadsubmissions@gmail.com.
  • In the body of your email message please include an author bio and a 3-5 sentence summary to pique our interest (worded like a back cover description).
  • Attached to the email include your full manuscript
    • Please include a one-page synopsis of your book on the first page of your manuscript or attach as a separate document. Writing a good synopsis is important because if we are not interested in your synopsis, we may not read any further into your manuscript.
  • Format your manuscript as follows:
    • Word document .doc or .docx or Rich Text File .rtf (no .pdfs please).
    • Times New Roman or Arial 11-12 pt font.
    • Your author name, email address, book title and word count should appear on the first page of your manuscript. All subsequent pages should have your name, title, and page number in the header.
    • Your manuscript should be well edited and free of grammatical errors.

Failure to follow these guidelines may result in automatic rejection.   

What we pay:

  • Our standard royalty arrangement for both print and digital is 50% of net revenue.

What rights does that give you:

  • Our contract covers the rights to publish your work in paperback and ebook formats, worldwide, in English. All other rights (e.g. audiobook, film, hardcover) are retained by the author.

***

DEADITE PRESS Submissions

Deadite Press is dedicated to publishing the very best in extreme horror and splatterpunk fiction. We have given a home to some of the top writers in the genre including Brian Keene, Edward Lee, Bryan Smith, J.F. Gonzalez, Wrath James White, Robert Devereaux, and Shane McKenzie. And for the first time in almost a decade, we are opening our doors to general submissions!

OPEN CALL FOR SUBMISSIONS
APRIL 1, 2018 to JUNE 30, 2018.

All submissions received by June 30th will receive a response by July 31, 2018.

What we are looking for:

  • Deadite Press is seeking original novellas and novels 20,000 to 100,000 words in length that fit into the extreme horror and splatterpunk fiction categories.
  • We want striking, well-crafted manuscripts with original horror themes. Our readers expect unconventional stories that surprise, entertain, and frighten them in new ways. We are not afraid of topics that are risky, violent or unrelentingly horrific. On the contrary, we crave those things! Look at our catalog of books to see what we mean.
  • Multiple submissions are okay – during our open submission period we are open to reading as many manuscripts as you feel would meet our criteria but we are only interested in your best work. Bring it on!

What we are not looking for:

  • We are not accepting short story collections, poetry, non-fiction or comics at this time
  • No simultaneous submissions – During the time that we are open for submissions we prefer that you do not simultaneously submit your manuscript elsewhere.

How to submit:

  • Email your submission to DeaditePressSubmissions@gmail.com
  • In the body of your email message please include an author bio and a 3-5 sentence summary description of the book written like a back cover description in order to pique our interest.
  • As a separate document attached to the email include a one-page synopsis of your book describing all the main plot points and revealing the ending. Writing a good synopsis is important, because if we are not interested in your synopsis, we may not read your manuscript.
  • Also attached to the email, include your full manuscript. Format your manuscript as follows:
    • Word document .doc or .docx or Rich Text File .rtf (no .pdfs please).
    • Times New Roman or Arial 11-12 pt font.
    • Your author name, email address, book title and word count should appear on the first page of your manuscript. All subsequent pages should have your name, title, and page number in the header.
    • Your manuscript should be well edited and free of grammatical errors.

Failure to follow these guidelines may result in automatic rejection.  

What we pay:
Our standard royalty arrangement for both print and digital is 50% of net revenue.

What rights does that give you:
Our contract covers the rights to publish your work in paperback and ebook formats, worldwide, in English. All other rights (e.g. audiobook, film, hardcover) are retained by the author.


New Release: Unlanguage

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From Michael Cisco, one of the most innovative and subversive writers working today, comes the long-awaited, ground-breaking novel of a suicide survivor trying in vain to write himself back into existence.

Unlanguage is the story of a man transformed by death and by language change. The language, once understood, transforms him, and transforms learning itself. One day, he looks down at the hand resting on his thigh and sees that it’s just an ordinary hand. What had been composed of colored light made solid goes back to being meat and blood. His body reverts to the ordinary sloshing heaviness of a regular body. The exalted vision of his eyes becomes the filmy, blurred vision of the usual kind. He slumps back into his former self. Whirlwinds of shame close on him. With a violent, monkey-like energy he wracks his brains for a way back. Then it occurs to him, he can still write that language. He must write his way back.

Told as a structural guide to impossible grammar, Michael Cisco’s Unlanguage is a brilliant, thought-provoking novel that not only pushes the boundaries of literature but of language itself.

Get it here


New Release: Polymer

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“Purple Rain meets Castlevania. That’s the gothic-wrought-iron-elevator-to-the-next-level-of-the-haunted-castle pitch for Polymer, and while it’s dead-on it still only scratches the blood-patinaed surface of Caleb Wilson’s dazzling debut. It’s a postmodern examination of the turbulent confluence of celebrity and spectatorship and fandom. It’s a carnivalesque romp, teeming with bizarre monsters, stranger heroes, otherwordly action, and mutagenic music. It’s lovely, funny, and as unique as a rock opera collaboration between Calvino and the Purple One. This is what it sounds like when bats cry.” — Jesse Bullington, author of The Sad Tale of the Brothers Grossbart

You’ve seen monster hunts before. You’ve watched as a guy with throwing axes and ninja stars ascends stairs to fight a big furry werewolf with tentacles or a floating head of indeterminate origin. You’ve seen hunters. But you’ve never seen Polymer. Polymer’s got style, Polymer’s got sex appeal, Polymer’s got panache. And you, lucky reader, get to join us right behind the glass in Sickleburg Castle where the battle of the century is about to commence. Who is the man behind the music, the monsters, the guts, the gore and the glory? Get ready for an event like no other.

Get it here


New Release: Giantess Globalist Sperm War

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In a future maybe not so distant from today, a dirty bomb has been dropped and humanity is forever changed. The boys who didn’t die stayed the same but the women grew into giantesses—walking gods as tall as the mountains. To remake a new and better world, all post-pubescent men were eaten and killed, and the boys who were left were rounded up to live in The Pen and learn to become better men. One of those boys, Tyson, waits on Eve Night—the night before the giantess select who will be reborn through their womb. Men themselves are now the sperm and each giantess selects ten of their favorite men to enter the giant vagina and compete to be the winner and reborn as a baby. Tyson wants the childhood that was taken away from him during World War III, but he must learn to work, fight, and help the 9 others if he wants to be a baby again.

“De Sandra creates a world that plays with edible men, female anatomy, misandry, and what would happen if Beyoncé was as big as a skyscraper. This is giantess fetish at its most lurid and comical, while quietly illustrating the poignant isolation of divided gender.” –Devora Gray, Author of Human Furniture and the Quest for the Perfect Woman

Get it here