Celebrate SHARK WEEK with Bizarro Books

Shark Week is almost over, and instead of pretending that human Olympians are what you want to see, we here at Bizarro Central would like to remind the world that bizarro fiction is the premier place to see nature’s greatest killer in literary form. Don’t believe me? Open any one of these covers and witness as rows upon rows of gnashing imaginary teeth rip to shreds the thing you once called your brain… (click the titles for the opportunity to purchase!)

SHARK HUNTING IN PARADISE GARDEN, by Cameron Pierce
The first book by the great Cameron Pierce and perhaps bizarro’s first tango with sharks as a weird trope. This novella features religious time travelers beset by swarms of sharks flying through the air, many of them mutated to look like bananas or Carlton Mellick III.

FOSSIL LAKE IV: SHARKASAURUS, edited by Christine Morgan
A collection of thirty-seven weird works of fiction and poetry, humor and horror, sharks and dinosaurs and sharkasaurs. Sharkasaurus delves into ancient aquatic terror, biting into your fear centers, your sense of humor, and maybe even your erogenous zones.

THE HOTTEST GAY MAN EVER KILLED IN A SHARK ATTACK, by Douglas Hackle
Ever since he was a young orphan, Hansel Higginzshire’s dream has been to break the long-held Guinness World Record for hottest gay man ever killed in a shark attack. Only he’s not hot, gay, and even worse, he’s a character created by one of bizarro fiction’s sharpest satirists.

REPO SHARK, by Cody Goodfellow
A South African repo ninja heads to the mean streets of Hawaii to steal a world-famous chopper from Donnie Punani, who might just be the living incarnation of an ancient Pacific shark god. Goodfellow’s balls-to-the-wall prose, hyperkinetic action, (un)savory characters, and dark mysticism combine into a weird crime novel that cannot be missed.

MOTHERFUCKING SHARKS, by Brian Allen Carr
A tour de force of grit and weirdness that trounced the competition and won the coveted Wonderland Book Award in 2014. This novella presents itself as a weird western reminiscent of “Terror in a Texas Town,” only with flying sharks. Carr unleashes a godawful bloodbath with intense, muscular prose. The concept is brilliant in its simplicity. The execution is beautiful in its brutality.