A Talking Eyeball Walks into a Bar: An Introduction to Bizarro Fiction
In this workshop you will learn to write high-concept bizarro while concentrating on the absurd and the surreal. You will discover what “high concept” means and learn what appeals to bizarro readers. We will study the differences between bizarro and traditional fiction, as well as their similarities. We will discuss characters in bizarro (particularly protagonists), settings, and the relationships between characters and settings. You will be taught to use traditional plot structures in untraditional stories. We will speak about conflict and what protagonists do to solve the problems they face. Do they do this differently than protagonists in other genres? If so, how?
By the time you finish the workshop, you will be able to write a bizarro story that will delight and totally weird out your readers.
Bradley Sands is the author of Rico Slade Will Fucking Kill You, Sorry I Ruined Your Orgy, TV Snorted My Brain, and others. He edits the New Bizarro Author Series for Eraserhead Press. He also works as a freelance editor. Bradley holds an MFA in Writing and Poetics from Naropa University. In the past, he was the editor-in-chief of Bust Down the Door and Eat All the Chickens (A Journal of Absurd and Surreal Fiction), an associate editor for Bombay Gin, and an assistant editor for Weird Tales.
“I would not be published today if it weren’t for Bradley. As a guest teacher in a bizarro workshop, he picked me out and asked for more, and asked for better. He was constantly challenging me to push further and in a short time helped me chisel my writing abilities to a finer point. Bradley was able to not only see gaps in my writings, but was able to push me toward interesting solutions to fill those gaps, not just create bridges. He doesn’t push his own style on you, but helps you realize your own. A fantastic teacher and editor all around.” – Andy de Fonseca, author of The Cheat Code for God Mode