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This digital edition includes bonus short story “Wet Nurse” as well as “We Need to Make Things More Repulsive: The Early Sketches of Nick Gucker“! And as an added bonus, it STILL INCLUDES all of the original content, which means you’ve also got mind-melting art from maestro Mike Dubisch as well as the craziest Cody stories ever put to print!
IT’S THEIR WORLD… NOW GET THE FUCK OFF!
Whether on the sun-kissed beaches of a nameless South Pacific paradise or in the suffocating dungeons of retail Hell, the misfits of evolution and mistakes of misbegotten science are battling, breeding, and feeding. And they’re looking at you…
They came seeking cheap thrills and interspecies recreational sex, but they reaped a whirlwind of clusterfuckery when they toyed with the unspeakable forces of monster lust. From the idyllic nostalgia of WW2 to the thoroughly bat-shit future, witness the wages of sin and mutation as you’ve never seen them before (unless you read them previously in the periodicals or anthologies in which they first appeared)!
OUR MAIN FEATURE!
The world gave him a blank check and a demand: Create giant monsters to fight our wars. But Dr. Otaku was not satisfied with mere chaos and mass destruction…. Even as his subversively delicious kaiju creatures undermined the very fabric of American life, he hatched a scheme to animate the cities themselves and inaugurate a new dark age of mega-monster abominations who would finally give humanity the ass-whipping it deserved. Now only one man, riding inside the skull of a much larger man, stands between us and the planet-devastating madness of…
Newly revised 2012 digital edition includes “The Sharp-Dressed Man at the End of the Line,” the classic short story explaining the origin of the world’s weirdest post-nuke survivor.
“Jeremy Robert Johnson’s novella of the apocalypse is a supremely weird reading experience, sitting somewhere between Chuck Palahniuk and John Wyndham. Extinction Journals is a hybrid, a mutant child of 1950’s paranoia and contemporary dystopia. Bleak, funny, apocalyptic and affecting, it stays with you long after you’ve finished it.”–THE ZONE (UK)
Mutant unicorns. A palace with a thousand human legs. The most powerful army on the planet. A first world city on the verge of collapse.
In a city where teetering skyscrapers block out the sky, a city populated by lowly clerks, rumors have been circulating of a terror in the east. When Carl, the lowliest clerk on the negative twelfth floor, discovers that the city is indeed in grave danger, he sets out to warn the city’s protectors: the Unicorn Riders.
Although Carl’s missing father has left him a unicorn of his own, it is a small and sickly creature. Even worse, there is a crab claw growing from its side. But the Unicorn Riders need as much help as they can get, and soon every able rider sets out for the city’s flooded perimeter in a steam-powered Spanish galleon.
An epic journey that spans desert and sea, through the bedchambers of a fearsome Eastern queen, and into the devastation of a conquered city, Unicorn Battle Squad is the story of a boy and his unicorn at the end of the world.
In Die You Doughnut Bastards, amputees, lonely young people, and talking animals struggle for survival against the freakish whims of nature. A typewriter made of fetuses is the source of woe for an expecting couple. Tao Lin rewrites The Human Centipede 2. A girl with a glass jaw hides an otherworldly secret. A demonic loner goes to a birthday party in Hell. You’ll encounter a killer in a marsupial mask, a prison for anorexics, haunted pancakes, and a songwriter with a cult following.
Surreal prose poems give way to personal accounts of alienation and modern love. Vegetarian narwhals are sold at the supermarket. And in a city that might be your own, zombie doughnuts are rising up. Kill yourself before they kill you. Or just kill yourself.
Featuring original illustrations in the style of Daniel Johnston, Die You Doughnut Bastards is the latest way to drown, brought to you by Wonderland Book Award-winning author Cameron Pierce.
When two young badass women stop by an insane Charlie Sheen-based art exhibit, their night of mind-warping horror is only beginning. Splatterpunk legend John Skipp delivers the high-voltage hardcore thrills in this outrageous, bodacious short story.