Peaches by Kevin Shamel
I found flash while wandering the shadowy paths of publishing short stories. It was like stumbling out of an enchanted forest and into neat rows of juicy little fruit trees. I knew I could grow some tasty stories like that. By the time I’d had my fifth or sixth flash fiction story published, I was an amateur orchard-grower. I spent a year writing lots of flash. The more I wrote, the more I wanted to write. Soon enough, I was producing juice. (I later fermented it all and got everyone drunk, but that’s another story entirely.)
A majority of the writers I know—and I know more writers than I know other kinds of people—have never attempted flash fiction. Most of them haven’t thought much about it. Of the people I casually speak to about writing flash that have not done so, most really don’t think much of the art. It’s because they’ve not explored it.
The common misconception about flash fiction is that it’s an easy thing to write. It’s a thousand words or less. I can write that in ten minutes. That is true. In fact, I’ve had stories published that I wrote in ten minutes. (Keep in mind that I also write publishable novellas in under two weeks, and I’m writing one soon that will be written in three days. It’s not the “normal” way of doing it.) It’s not unheard of to whip out an amazing bit of flash in no time at all. However, it’s not uncommon to spend days, weeks, or months getting a flash story just right.
That’s because it’s an art-form. It has to be mastered. When you’ve got it figured out, it’s a skill you can draw upon for the rest of your authoring life.
By learning how to write a complete story with such a small word count, I learned to cut my story to its quick. I learned about what words are really necessary for the story. I learned that a great number of people prefer to read stories that are lean and to the point. I honed my sentences and cut out all the extras that took the story (and the reader) somewhere beyond the point of it all. I learned how to make my stories shoot straight to the heart of the reader. I learned to edit.
My year of writing flash helped me to find my true writing style. One that is fortunately in synch with the world today. I write books that can be read in the time it takes to watch a movie. People like that. In fact, they love that. How many people spend fifteen hours watching a movie? Do you push pause after watching for fifteen minutes and go to work? Are movies two hundred hours long? No. People like the idea of complete, satisfying, lasting stories that they can digest quickly. Stories like flash fiction.
Because of flash, my longer works are leaner and quicker. Because of flash, it’s easier to make a story something that people will read straight through because they don’t have a moment to stray from the story. Because of flash, I had a book published.
In the toppling forest of the publishing industry, there is new growth. I urge anyone growing giant Sequoias of novels to consider spending a year learning the art of pruning flash fiction bonsais. In no time we’ll have acres and acres of shady rows of producing trees. Then we can feed the world our fruits.
Or get them all drunk on apple cider.
Kevin Shamel lives in the Pacific Northwest in a house that was once surrounded by apple orchards. You can find his flash at Every Day Fiction. His first book, Rotten Little Animals, can be read on a long commute or on a flight to Maui (it has been done). Visit ShamelessCreations for art, words, and shameless weirdness.
